Jozef arrives at Dirtbox Recordings with experience in bass music, but a new direction for his releases. According to the label, the Ohio producer began playing trap in 2015 before moving through dubstep, tearout, and riddim. His attention shifted towards drum and bass after the pandemic, eventually leading him to DNB Academy and a greater focus on production. Dirtbox presents Uncharted Territory as his first D&B release, giving him three tracks to make that introduction.
The EP sits in the darker, minimal end, where a short burst of sound can do more than a constantly moving arrangement. Across these tracks, effects and samples establish the setting, while abrupt cuts leave the bass exposed. The silence is often as noticeable as the hit that precedes it.
Immortals takes its time getting started. Sound effects and isolated stabs dominate the opening, with a heavily filtered breakbeat gradually bursting through. It’s around the one-minute mark before the track fully opens up. A gated effect chops the sound into pieces before a firm two-step rhythm brings in the bassline. That bass whomps, then answers with a more distorted stab, making the spaces between those exchanges central to the groove.
Space Jazz gets into things more directly. Jazzy electric piano chords have an almost bell-like tone, giving it a different character from the opener. Effects and silence remain prominent, but the keys provide a recognisable musical thread between the interruptions. One sharply clipped hit stands out, its staccato changes in volume making the sound feel repeatedly switched on and off.
Unit 56 builds the clearest scene of the three. Dog barks introduce the track before the break arrives beneath police radio chatter and sirens. Reloading sounds punctuate the arrangement, while the recurring sirens keep that setting present. Where Space Jazz gives the ear chords to follow, this closer uses a sequence of recognisable noises to hold its atmosphere together.
Uncharted Territory is available on Beatport and Spotify from 11 September 2026, with the worldwide release following on 25 September. Of its three introductions to Jozef, Immortals makes the strongest use of his stop-start approach: the long, filtered opening gives way to a bass exchange whose gaps make each distorted reply land harder.
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