Cover image for After Midnight / Proper Etiquette

Drum & bass · Release review

After Midnight / Proper Etiquette

Jon Cross

Jon Cross leans into space, tension, and saturated low-end on After Midnight / Proper Etiquette, balancing heavy dancefloor pressure with detailed arrangement work.

4 Jungle Records Released 15 May 2026

There is a particular kind of modern dancefloor drum and bass that relies almost entirely on impact. Big intro. Loud drop. Constant movement. Sometimes that works for a few minutes before the track burns itself out. Jon Cross avoids that problem here by giving both tracks enough groove and arrangement detail to keep the pressure controlled rather than exhausting.

After Midnight starts with what sounds like the ticking of a huge clock suspended in space, soaked in reverb and sitting wide across the stereo field before the drums snap into place underneath it. The intro keeps pulling backwards into these echo-heavy chambers built from distant stabs and atmosphere, which makes the eventual drop land harder without needing to overstate itself.

Once it arrives, the bassline stays tight and heavy rather than sprawling. Big whomping low-end carries most of the weight while the drums keep things moving cleanly through the middle of the mix. There is enough restraint in the arrangement to stop the track flattening itself out too early, and the smaller pullbacks between phrases give DJs useful breathing room in a blend.

Proper Etiquette heads somewhere slightly sharper. High keys and deep reverb open the track before the breakbeat starts cutting through underneath. There is an unusual bit of tension in the upper frequencies where the bell-like tones hold slightly longer than expected before shifting note, creating a low-level sense of discomfort running underneath the groove.

Beneath that, a deep electrical buzz of a bassline rolls steadily through the track while vocal stabs flicker around the edges of the mix. The production detail is clever without becoming overworked. Small textures keep appearing in the background, but the groove never gets buried underneath them.

Both tracks are clearly built for dancefloor use first, but the release works best in the smaller details rather than brute-force volume. Jon Cross understands how atmosphere and spacing can make a heavy tune feel even larger once it hits a proper system.

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